Support & Documentation

Polyphonic pitch shift in continuous semitone steps. Down-tunes or transposes full chords with zero tracking lag.

Blends in the first sub-octave (-1 octave down). Adds fundamental body to single-note riffs and power chords.

Blends in the second sub-octave (-2 octaves down) for monolithic low-end weight and industrial textures.

High-pass filter on the pitch tracking circuit to preserve sharp percussive pick transient response and eliminate sub-bass rumble.

Input preamp saturation stage feeding into the pitch engine, adding harmonic bite and synth-like edge.

Adjusts the granular synthesis analysis window size. Lower for rapid picking speed; higher for complex chordal smoothness.

Balances dry guitar signal with transposed and sub-octave output. Set to 100% wet for pure drop-tuning.

Sets delay buffer length from tight slapback doubling (10–50 ms) to long rhythmic repeats (2000 ms).

Controls the number of repeat regeneration cycles. Settings above 100% initiate musical self-oscillation.

Introduces subtle tape capstan speed drift, generating rich chorus-like pitch modulation on repeats.

Analog low-pass damping filter that progressively warms and darkens decaying delay trails.

Direct dry-to-delayed signal blend. 20–35% for solo lead thickening; 50% for rhythmic dotted-eighth patterns.

Controls compression intensity. Pulls up decaying quiet notes for long, smooth sustain without harsh pumping.

Adjusts onset response. Slower settings let pick attack transients pass through before optical compression engages.

High-shelf presence boost that counteracts top-end dulling under heavy compression, restoring acoustic chime.

Output gain stage to restore unity volume or push subsequent overdrive and amplifier models.

Engages optical photocell preamp saturation, adding warm second-order harmonic distortion to peaks.

Controls overdrive clipping gain stage. From transparent clean boost (0–15%) to saturated crunch (60–100%).

High-output master level designed to push neural amplifier models into natural tube-like front-end saturation.

Active tilt equaliser pivoting around 1 kHz. Clockwise boosts treble brightness while gently scooping lower mids.

Pre-clipping high-pass filter that removes flubby bass frequencies before distortion, keeping palm mutes tight.

Post-clipping low-pass filter to eliminate harsh top-end fizz and digital edge on high-gain models.

Blends between symmetrical clipping and aggressive asymmetrical silicon clipping for sharper pick articulation.

Sets the saturation level across cascading discrete transistor stages.

Regulates transistor collector voltage. Lower settings simulate a dying battery for spitty, gated velcro tones.

Fast optical gate that clamps shut instantly on note release for abrupt, dead-silent riff pauses without hiss.

Broad-band sweep filter balancing woolly vintage low-end against searing treble bite.

Parametric midrange notch filter for 90s grunge and stoner-rock scooped textures or cutting mid-push.

Master output level with substantial headroom recovery.

Toggles between dynamic envelope bandpass wah and rhythmic square-wave stutter killswitch.

In Wah mode, sets pick sensitivity; in Chopper mode, sets the gating depth.

Controls automatic LFO modulation sweep speed or rhythmic stutter chop tempo.

Adjusts the sharpness of the filter peak (200 Hz to 5 kHz) for vocal, expressive filter sweeps.

Integrated delay line time for rhythmic stutter echoes and spatial slapback.

Direct dry/wet balance between raw guitar tone and modulated filter output.

Sets the modulation cycle speed from slow spatial swirls to rapid rotary flutter.

Modulation amplitude and all-pass filter sweep frequency range.

Selects between vintage 4-stage OTA warmth (70s rock) and liquid 8-stage optical phasing.

Through-zero comb resonance feeding back into the delay line for dramatic jet-engine whooshes.

Replaces the smooth sine LFO with a random stepped voltage generator for robotic Arp-style filter sequences.

Phase-shifts the right channel LFO relative to the left channel for panoramic 3D spatial widening.

Controls multi-voice LFO modulation cycle speed across dual delay lines.

Delay-line modulation pitch depth for subtle doubling or lush chorus shimmer.

Expands spatial separation using opposite-phase cross-channel modulation across the stereo field.

Blends from dry tone through subtle 3D doubling (25–40%) up to full vibrato (100%).

31 Hz removes sub-audible rumble; 62 Hz shapes low-end cabinet thump and palm-mute punch.

125 Hz controls guitar body warmth; 250 Hz eliminates muddy boxiness in dense mixes.

500 Hz shapes central wood body; 1 kHz controls forward vocal-like solo cut.

2 kHz dials in pick attack presence; 4 kHz controls crunch, fret bite, and edge.

8 kHz controls top-end brightness; 16 kHz adds ultra-high acoustic air and shimmer.

Overall output gain adjustment to match unity bypass level after radical EQ adjustments.

Simulates physical sliding tape playback head positioning along the magnetic loop.

Controls regenerative repeats. Pushes into warm, self-limiting tape saturation without digital clipping.

Discrete JFET front-end circuit coloration that fattens guitar tone even when repeats are subtle.

Modulates motor capstan speed irregularities for organic vintage pitch warble and drift.

Progressively degrades and darkens repeats, simulating oxidized magnetic tape wear and head friction.

Dry to tape echo blend ratio.

RT60 reverb tail length from tight room reflections to endless ambient washes.

Sets the internal diffuser matrix volume and early reflection spacing.

Separates dry guitar pick attack from the reverb wash, preserving transient clarity in fast solos.

Simulates soft acoustic wall absorption by dampening high frequencies over the decay tail.

Dry to reverberant wet balance.

Selects the pitch transposition interval fed back into the reverberant loop.

Controls the regeneration rate of pitch-shifted repeats feeding back into the reverb diffuser.

Time delay before upper harmonics bloom, preventing interference with fast staccato picking.

Infinite hold buffer switch for frozen ambient soundscapes and continuous harmonic backdrops.

Balances direct dry tone with the ascending polyphonic shimmer cloud.

Slices the incoming audio buffer into micro-grains. Shorter settings create metallic buzz; longer settings create rhythmic stutter.

Sets the dynamic threshold for capturing new grain slices based on pick transient attack.

Transposes the playback pitch of active grains in real-time or reverses grain playback direction.

Reduces ADC sample word length, adding vintage digital aliasing, grit, and industrial crunch.

Latches current micro-grains into an indefinite stutter loop for rhythmic transition breaks.

Parallel blend between dry signal and granular glitch textures.

Tunes the fundamental resonant pitch and delay line length of the comb filter.

Feedback sharpness. High settings produce ringing, tuned metallic oscillations and synthetic feedback.

Selects musical harmonic intervals and vocal vowel formant curves (A, E, I, O, U).

Modulates comb resonance and filter sweep depth dynamically according to guitar pick velocity.

Time duration for resonant comb oscillations to dissipate after picking stops.

Direct dry-to-resonator balance.